Reviews

instant satisfunction – progressive noise review

INSTANT SATISFUNCTION reviewed by Niels Mark for Vital Weekly

Wauuvv, this is absolutely amazing! Having reviewed for Vital Weekly in fifteen years I rarely put my ears to albums that surprises me with new un-heard sounds, however this compilation really does it. The works of this compilation is first of all beat-driven and quite abrasive in expression. Heavily distorted and blasting beats in upfront aggressive soundspheres is the overall style here. Some tracks belongs to the technoid scene with elements of idm-atmospheres where others and that is the main part belongs to the power noise however the expression is not only a question of brutality. Best way to describe the styles of the sixteen contributions is something in-between break core and power noise but in many of the works the beat-patterns are so complex and otherworldly strange that it makes me think of a style termed progressive noise – (does this term exist?). The rhythm textures here are so complex working on several levels and overwhelming that it makes you lie down and just consume this wave of upfront beat-driven noise. Yes, progressive noise must be the term to describe this masterpiece of a compilation from the Slovakian label Urbsounds. I advice everyone interested in adventurous sonic brutality to keep a close on the four acts represented here: Rioteer, Urbanfailure, Axiomid and Gotharman. Especially Rioteer and his two contributions “From better times” and “Sphere collider” are absolutely mind blowing stuff. This might be the noise-acts of the future. Awesome!! (NM)

here is the music

Urbsounds

... we have opened up to become a platform that promotes artists across the world who share the understanding that music is an inherently political force of change. We collaborate with artists who focus their attention on desolated parts of society and reflect it in a challenging way. There are scars all over this dystopian sprawl we are living in. Urbsounds is collecting the grime that oozes from the wounds, using this fluid to fuel the pressing of vinyl LPs and the coding of digital releases

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