18 October 2016 :: Ruzovi Kovboji will perform live

RK live
RK live

[/] no. 31 | Jamka – Inter Alia

Fresh new Jamka – Inter Alia LP is here! London-based duo Jamka return with Inter Alia, the latest evidence of their patient, intimate relationship with their analogue machines. From the start there’s a sense of event – we encounter clear, interlaced electronic textures, powerful analogue drones and well-placed beats. The tracks… aren’t soundscapes so much […]

Jamka Inter Alia

Fresh new Jamka – Inter Alia LP is here!

London-based duo Jamka return with Inter Alia, the latest evidence of their patient, intimate relationship with their analogue machines. From the start there’s a sense of event – we encounter clear, interlaced electronic textures, powerful analogue drones and well-placed beats.

The tracks…

aren’t soundscapes so much as fertile electronic soundfields.

Patemp continuously expands in an incredibly subtle but powerful way and shows that Jamka’s technical skills don’t preclude an emotional touch.

On the tight and minimal Anazmo, the coiled energy bears traces of minimal techno and radical electronica, but it’s beyond either of these. While the album passes quickly, it’s full of detail and the thoughtfulness and craft that have gone into it are evident.

Dwa offers the chance to appreciate the flow and the sheen of its analogue textures – the modernist romance of the power line hum and its promise of technological-cultural progress.

Jamka are known for their dynamic live performances and this energy is almost tangible on Derazor.

The stately Igora is a strong, bold close to the album, offering surprises right till the end. The sharp, metallic details ripple through the mix and an anthemic sequence shines through.

Inter Alia

makes clear that Jamka are worthy inheritors of Slovakia’s proud late modernist traditions of radical architecture and electronic music. This is a work of craft that demands respect and repeated listening.

Jamka - Inter Alia LP
Urbsounds label [/] no.31

release date October 18, 2016

all tracks by Jamka – Monika Subrtova and Daniel Kordik
artwork by Nihal Yesil
mastered by Eric van Woterghem at prodam.berlin

Buy directly from label shop here, or from our bandcamp page.

rbnx / Caudal live@Fuga 20160918

rbnx / Caudal live@Fuga20160918

rbnx / Caudal live@Fuga20160918

[/] no. 32 | Mei Zhiyong – Harsh in Bratislava is OUT NOW

Mei Zhiyong – Harsh in Bratislava

we are pleased to announce that our next release [/] no.32 is OUT NOW.
Mei Zhiyong - Harsh in Bratislava Real treat for the ear and mind, guaranteed challenge for home audio.
Performed harsh by Mei Zhiyong, recorded live by Dave Phillips at Ears Chewing Satisfunction event in Fuga/Bratislava 7.10.2015, cover art and design Phaceo released by Urbsounds label [/] no.32

mei zhiyong / 梅志勇

pursues a physical form of sonic rapture, an explorative mind with the body as a tool pushing the limits, seeking a liberating nothingness beyond logic, found in coarse actionistic or quietly manic outbursts, in dizzying electronic soarings or in following unknown traces in field recordings. mei zhiyong also directs and shoots independent short films, works with photography and is part of the nojiji collective. he was born in shandong province and lives in changchun city, china.
]]>

urbsounds [/] kazdy s kazdym

Improvised event Kazdy s Kazdym by [/] urbsounds

21.8.2016 Fuga, Bratislava

This time “kazdy s kazdym” will be improvised journey thru soundscapes and abstract rhythms. kazdy_sketch004_72ppi Chaosdroid / computer and sw manipulation Dominik Novak / modular synth Daniel Kordik / modular synth Urbanfailure / hw sampler, synth and fx boxes   FB event   flayer by Chaosdroid ]]>

[​/​] no. 30 | Random Shadows by urbanfailure

urbanfailure – Random Shadows 7″ ep released by heart by Sky Burial and [/] urbsounds collective limited to 33 pieces on clear vinyl, hand made, recorded live with passion and punk attitude. Shadows photography Jana Mikova, most expressive and beatiful cover art by Tove ~ thanks + respect, released March 26, 2016 Random Shadows | […]

urbanfailure – Random Shadows 7″ ep

released by heart by Sky Burial and [/] urbsounds collective limited to 33 pieces on clear vinyl, hand made, recorded live with passion and punk attitude. Shadows photography Jana Mikova, most expressive and beatiful cover art by Tove ~ thanks + respect, released March 26, 2016

Rhythm and polyrhythm

are the key mathematical functions that define the essense of music. The process of representing integers as products of prime numbers gives an illusion of purpose and causes sudden blood flow to the brain. This occurs almost ceaselessly. As if the nasal root started moving away from its place and the hands started loosing control. The nervous system is exposed to everlasting pleasure and the distracted brain is fully absorbed by the illusion of quality and quantity, rhythm and melody. The mosaic evokes the feeling of wholeness and unity. Falling asleep during the performance becomes the most delightful state to experience.

uf_rs_back

Review by The Wire – number 396 | February 2017

Urbanfailure`s Random Shadows EB reviewed by The Wire
Urbanfailure`s Random Shadows EP reviewed by The Wire

 Review by Vital Weekly – number 1029 | week 17

URBANFAILURE – RANDOM SHADOWS (7″ lathe cut by Sky Burial Productions/UrbSounds)

A highly limited lathe cut 7″ recorded by Urbanfailure, who ever that might be, and apparently the three pieces on this 7″ are all live recorded, which is actually a great achievement. Rhythm plays an important role in these pieces, banging on what seems to be metal percussion feeding through a variety of electronic devices, such as delay and reverb, meanwhile also being picked up by a loop station or two. Maybe even a synthesizer or two for some colouring of the sounds; it is not easy to say, but the end result is quite good.
There is an old school industrial music texture to these pieces, especially in ‘Gridiron Ambience’ it bangs around in a heavy manner. ‘Standoff Abrupt’ has a more modern sound, in which live digital processing plays an important role. ‘Consciousness Mismatch’ is the shortest of the three pieces and a pretty straightforward rhythm piece, but without the complexity the other two pieces seem to have. Short but great. I wish it had been longer. (FdW)

Review by Ed Pinsent / The Sound Projector

Got a 7-inch lathe cut from Urbsounds, the Slovakian label that’s the home of very unusual urban and avant-techno sounds. We have in the past noted the 2004 compilation Urbsounds Collective, and the 2012 CD Instant Satisfunction. “Inhuman machine-like spirit created from the incessant repeating beats,” noted Nausika at the time. Michal Lichy recently sent Random Shadows (SKY BURIAL 013 / URBSOUNDS COLLECTIVE [/] no. 30) by Urbanfailure, a baffling EP of three tracks…everything sounds very “muffled” on the actual lathe cut, which I expect is due to the limitations of the process, but when played on the Bandcamp page you get quite a different story and the music’s aggression comes to the fore. ‘Gridiron Ambience’ starts out as a random array of beats and nonsensical noises, including some completely out-of-context birdsong recordings, then gradually warms up into a menacing and pounding mess – only to subside into mystery again before you get any ideas about bouncing up and down to the music. Quite bewildering in its compositional shape. You might fare better with ‘Standoff Abrupt’, which has a more recognisable rhythm and squelchy synth patterns, but the sounds are mean, abrasive, and nasty. Any hopes of continuity or uninterrupted listening are constantly sabotaged by Urbanfailure’s disruptive interventions. The blurb on the Bandcamp page indicates something of this record’s intentions, through allusions to mathematical principles, integers, and the human nervous system.

The cover art is by Tove, depicting three hooded spirits breathing fire in a mystical circle, and on the back cover apparently taking part in a makeshift funeral. This back cover, all suffused greys and blacks, feels very appropriate to the music somehow, especially when I play my lathe version with its ghostly and pallid beats. There’s also a full colour foldout, with a photography by Jana Mikova depicting air pollution and black clouds in a sickly green and orange sky, and image that induces a profound industrial horror in the viewer. From 15th April 2016.

[/] no. 29 | EarsChewingSatisfunction

EarsChewingSatisfunction cd in amount of 50 pcs. was released as a part of Ears Chewing Satisfunction event in Fuga/Bratislava 04.10.2014 Ears Chewing Satisfunction V/A | [/] no. 29 by urbsounds Urbsounds Label [/] no. 29 cover art and flayer design by chaosdroid

EarsChewingSatisfunction

cd in amount of 50 pcs. was released as a part of Ears Chewing Satisfunction
event in Fuga/Bratislava 04.10.2014

Urbsounds Label [/] no. 29

cover art and flayer design by chaosdroid

[/] no. 28 | Kordik Lucas MMXII

Kordik Lucas MMXII Forthcoming release on C50 blue cassette in yellow library case. Edition of 50. urbsounds collective [/] 2013, n.28 MMXII by KORDIK LUCAS released November 28, 2012 Recorded in London 2012

Kordik Lucas MMXII

Forthcoming release on C50 blue cassette in yellow library case. Edition of 50.
urbsounds collective [/] 2013, n.28

released November 28, 2012

Recorded in London 2012

[/] no. 27 | Techno Chewing Satisfunction

Techno Chewing Satisfunction was released as a part of Techno chewing satisfunction event in FUGA/Bratislava 15.12.2012, Urbsounds Label no. 27, cd is limited to 56 pieces Techno Chewing Satisfunction | [/] no. 27 by urbsounds slovak press text and info

Techno Chewing Satisfunction

was released as a part of Techno chewing satisfunction event in FUGA/Bratislava 15.12.2012, Urbsounds Label no. 27, cd is limited to 56 pieces

slovak press text and info